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For a moment, when you were talking about having plastic development tanks, I thought you just put the film in a pot in the darkroom and poured developer into it xdd.

4:21 this cross-processing would make fitting images for emo-punk rock album.

4:39 made my jaw drop

I had good results pushing those films during development.

Lucky Super 100 was all I used in 2012/3, and it suuuuuuuucked

use adox adotech 4 for better contrast (its used for CMS 20) or if you want to push process, use paper developer like dektol, interesting that it doesn't seem to have anti-halation by the translucency of it but outdoors that ortho looks really crisp!

Eterna RDS 4791 is the only "cinema" film that Fuji still carries as of 2024 (granted... it's a technical separation film, but still). I'm guessing you have to order it in bulk directly from Fuji, since I've never seen it at B&H or other places. I am curious if Fuji produces the film themselves in their Ashigara plant or if someone else produces it for them. Have thought about buying some off of ebay... but I didn't realize that it was orthochromatic. Still, a good looking film -- like an Ortho version of Fuji Acros.

any sort of copy film NEEDS to be stand developed to have any hope of taming contrast. Or 2 bath developed, same idea

We got internet

I bet that would be awesome for a half frame camera.

4:24 wow, they look like Meteor M satellite HRPT imagery, I guess using 2 channels for RGB gives the same color scheme

Once this stuff works it looks amazing! That first roll really caught me off guard!

Que grandes fotografias me ha encantado la de la botella y su huella chapo me quito el sombrero, haber yo no soy quimico , soy aficionado dentro de ese paquete hay los quimicos como el Metol y el Sulfito de sodio por este lado es posible que sean los quimicos y el factor decisibo es el Metol y el sulfito de sodio ya que parece ser que la hidroquinona dejo de funcionar debido a la oxidacion, bien hay un tipico revelador Kodak no comercializado que es D-23 si nos fijamos solo son 2 componentes 7,5 g de Metol y 100 g de sulfito de sodio, hay un curios baño de el señor Stoeckler de 2 Baños con casi los mismos quimicos, formula 2 baños - Baño A metol 5 g sulfito de sodio 100 g 1´ m 1 litro water- Baño B Borax 10 g 1´ m 1 litro water y funciona eso quiere decir que en realidad el D-76 funcionara ya que dispone de un revelador que es el Metol es mi humilde opinion, por cierto suelo usar esos reveladores tanto D-76 como mi queridisimo D-23 un saludo desde BARCELONA ESPAÑA.

Polecam spróbować Kodak estar 1241 to jest mikrofon dokument ISO 6 albo 3 zależy jak i w czym jest wywoływany. Kontrast można zmniejszyć rozcieńczanie wywoływacza

I have a roll of RDS sitting in my freezer.

Attic Darkroom: in case you thought you knew about every film stock in existence.

Think ISO 12 is slow? I've got about 500' left of some Kodak print distribution color film that's ISO 3-6 and tungsten balanced. It's ECP-2E but there isn't any remjet, so you can do it in C-41. I'll spool up some rolls and send them your way.

Looks cool though.

Reminds me a lot of Kodak 2237. Nice vid as always

The master tinkerer. Love how you can make such a black hole of an exploration in niche timesinks so entertaining. Hope you enjoy making thisbstuff as much as i always look forward to the next one😅

Cool video. The film looks a bit like the FPP Super Positive film. I think that is ISO 1.6. I love your channel, always a hoot to see what you are trichroming next.

Trichroming with orthochromatic archival film is the kind of wacky fun I subscribed for.

How clear is the base ?? Candidate for B&W reversal ??

Looks just like lithography film. Kodalith also has a similar-ish ruddy red/brown base color and yields what I would consider similarly contrasty and nearly grain-less results at around 12ISO.

It looks like you have a micro film in your hand, I have worked with Fuji micro film, I recommend the Kodak D19 developer.

3:48 put it together?!?!? NAH you lit the runway up!

Idk what you’re talking about half the time but you’re the man

What about trichrome it as Green+Blue+UV ?

What the HELL! 610 Meters on this small roll?! crazy

Have you ever tried developing with caffenol?

The film base looks pretty clear. Do you think it would look good processed as reversal?

I really like the river trichrome. The colours came out pretty cool

Can you do terrible things to Adox CMS20 👉👈

Great vid! For films this contrasty, I'd recommend looking into POTA developer or TDLC-103, both of which you can easily prepare at home. They reduce the film speed but give you way more tones, making these films a little nicer.

Only on this channel do we get trichromes on ortho single digit ISO film And I love it

I love how 90% of your shots are random junk found on the street.

That first photo blew me away!

I suspect that the ISO is a bit lower and you're overdeveloping. It reminds me a lot of one of the Wolfen films which are somewhere between ISOs 3 and 8.

As someone who loves shooting higher contrast images this seems perfect. Doing a panorama in a 6x8 camera would probably print amazingly. Will be interesting to try making transparencies out of this.

Nice!

New attic darkroom vid. Today is a good day!

you still did not reach the film speed you rated it at, but you managed to overdevelop it

Could you spool up a roll and let me test some of that? Id pay…

I have some old Kodak film that's kinda similar, maybe not as see through but definitely wasn't expecting a purple roll of film sitting there. I have another that's white also.

HES BAAAAACK

I guess I am most surprised by the complete lack of red sensitivity. Given that (if I’m not mistaken) this is primarily intended for making color separated protection masters - how do they ever record the red channel? Maybe the “digital seperation” on the tin is the clue, and the red channel gets output by a laser recorder at a completely different wavelength? Just spitballing here.

try to develop as a positive :o

Wake up babe! New Attic Darkroom vid!

Film photography project story has a few single digit BW and C41 scientific/ cinema effects films that would make great episodes...

I've been shooting with this film for 5 -7 years now, and it is not for everyday shooting, but if you approach it with an understanding of its advantages and disadvantages, you will get great results.